Movie Review Anchorman 2

I was going into the seventh grade when "Anchorman" came out. I was just the right age to be completely inspired and blown away by a fairly raunchy PG-13 comedy. Watching the original "Anchorman" was basically a right of passage for anybody around my age. If you can't quote it by heart, then there might be something wrong with you.

So of course something this iconic called for a sequel.

"Anchorman 2: The Legend Continues" knows at this point that it is kind of a big deal. Hell, it even has "The Legend Continues" in its title. That means that unfortunately, like many other sequels, it lacks the surprise of its predecessor.

Movie Review: Seeking a Friend for the End of the World

This basically sums it up.

Don't get me wrong, Steve Carell is one of the funniest, most likable actors working today. But with his past few features, and his latest, "Seeking a Friend for the End of the World," he has a created a new film archetype: The Sad Insurance Salesman.

The Sad Insurance Salesman is a male in mid-life crisis. His wife will have cheated and then walked out on him because their marriage has lost all sense of excitement. Basically, the Sad Insurance Salesman might as well say, "I'm really nice, but I'm also boring."

This, in a way, can also define "Seeking a Friend for the End of the World." It is nice at parts but in the end, it is unsatisfying and lacks chemistry.

Movie Review: Crazy, Stupid, Love

Marketers and advertisers are supposed to fool us into believing that some product, usually an inferior one, is gold. Sometimes though, they fail to make a superior product look good. Point in case comes with "Crazy, Stupid, Love" a movie that perhaps no one knew how to sell, because it doesn't at all try to be a part of the genre that everyone wants it to be in. But hey, sometimes lying is the only way to make a buck at the box office nowadays.

In a culture of showing everything and giving it all away, "Crazy, Stupid, Love" surprisingly surprised me, and it pulled off a surprising twist that could make even M. Night Shyamalan blush (is that joke still relevant?). "Crazy, Stupid, Love" has something most comedies could use these days: fully-formed characters. The movie starts off as with Cal Weaver (Steve Carell) and wife Emily (Julianne Moore) out at a restaurant. He asks what they could share for dessert, and the first thing she blurts out is 'divorce.'

Before any of this is even said, it is already clear what is wrong with this marriage. Cal wears a distinctly beat up pair of white New Balance shoes, and typical rectangular glasses made simply to help him read, and not at all to distinguish him from any other man his age. He has been so lost in his marriage that he just lives to function. So little fight is left in him that when Emily wants to talk about things on the ride home, he simply opens the car door and jumps out in the middle of the road. What he barely got a chance to hear about was that Emily cheated on him with her boss (Kevin Bacon, in a subtletly sleazy role).

Following the divorce, Cal lives a sad sack life, and frequents a hip bar that seems too trendy for someone who doesn't even know what a trend is. Meet Jacob (Ryan Gosling) who is basically a walking male fashion trend. Jacob is smooth in every sense, and can even casually drop some Yiddish into conversation. Jacob leaves the bar every night with a new woman until one day when he decides to drop everything and take Cal under his wing.

Jacob's idea of changing one's life around is a complete change in wardrobe. After disposing his New Balances and throwing on a new suit, Cal becomes Jacob's clone. This leads him to picking up a series of women, one of them being a teacher (Marisa Tomei) who is just as self-loathing as he is. All the while, Cal's family makes some other stupid mistakes, and his son Robbie (Jonah Bobo) tries to figure out what love is amongst the madness of divorce.

"Crazy, Stupid, Love" works not because it is the kind of romantic movie in which we are forced to root for a bunch of bad people who one day decide to do something good, but rather it is about a bunch of genuinely good people who sometimes act against their better judgement. Cal and Emily's divorce made me think of "Kramer vs. Kramer" in its honesty and its ability to not pass down judgement onto its characters. Just as it occurs in reality, every action and every reaction has a purpose in the eyes of each person who carries it out. It has a bit of the he-said she-said mentality, but the movie is really about how their broken love affects a wide range of people, and not just the two of them.

I have been a fan of Steve Carell, since his days as a correspondent of "The Daily Show." He can make anyone fall in love with even the goofiest characters (Michael Scott, Andy from "The 40-Year-Old Virgin"), but he's never displayed the kind of range he shows in "Crazy, Stupid, Love." In past roles was he had to make an unsympathetic character sympathetic and here, he has to do the exact opposite. He excels at this challenge and shows some dramatic chops he's been hiding. Gosling meanwhile, has more dialogue than he had in both "Drive" and "The Ides of March" combined, yet he displays that same ability to play someone who is almost like a blank slate with one defining quality (driving, political knowledge, and here, clothes). He is described at one point as looking "photoshopped" and indeed, he makes Jacob look photoshopped. His transition into relationship man is surprisingly believable, with an extra thanks to Emma Stone, who's importance to the story has a drastic change towards the movie's end.

"Crazy, Stupid, Love" is the kind of funny that's quiet and smooth, with each joke not attempting to be a gag but rather just a part of what anyone in the cast would say or do. The surprisingly refreshing script from Dan Fogelman ("Fred Claus") gives every single character in the ensemble a purpose. Here is a movie that throws away the idea of throwaway characters and subplots. The movie's only real flaw is a graduation scene final speech that feels a little too calculated, and while the happy ending feels earned, it ties things together too simply, especially with the cynical tone the movie carried throughout. Then again, for everything the characters went through and how they eventually prove themselves to the audience, maybe they deserved this conclusion.

"Crazy, Stupid, Love" made a mockery of the people who released it, proving that a poorly chosen title and some ads that seem to give away everything don't necessarily rightfully represent the movie. Watching it made me think of a slightly lighter version of "The Descendents." Like that other movie, there was a rare, genuine feeling behind the humor of "Crazy, Stupid, Love" that didn't make me feel stupid for enjoying it, and certainly doesn't make me feel crazy for endorsing it.

Movie Review: Despicable Me

Hey everyone, Pixar doesn't have to be the only studio allowed to make animated films. Competition begets creativity. In the case of animated competition, Illumination Entertainment gave us "Despicable Me." It might feel a little less grown up than "Toy Story 3" but that doesn't stop it from being entertaining and even a little touching.

I don't mean to keep comparing "Despicable Me" to Pixar, because it deserves to seen as its own separate entity. It reminded me a little bit of "The Incredibles" for the world of super villains. It's all about Gru (Steve Carell). Gru has a reputation for being the world's greatest villain. He's bald, has something of a hunchback, and has a creepy French accent that makes him sound a bit like Tommy Wiseau.

Gru's status as greatest villain is threatened. The young and clumsy Vector (Jason Segel) impresses the world of evil by stealing the Pyramids. This also puts a damper on some of Gru's biggest plans. Gru does what any evil genius would do: adopt three innocent little girls to secretly undermine for your operations. This works fine, until you begin to feel compassion.

"Despicable Me" doesn't quite look as well polished as some of the other big animated films. Yet, there's something about its animation that is both realistic and eye-poppingly alive. The animated world around the characters is more than convincing enough for the audience to totally buy it.

Even the characters come with a convincing reality to them. A few flashbacks make Gru's evil seem a little more understandable. Who said a movie for children couldn't have a little depth to it?

Another thing that adds to the characters is the excellent voice talent. Usually, recording a role for an animated film doesn't require much effort. However, the actors here actually add some personality to their roles. Segel weirdly feels like the awkward guy he always plays. Carell's never really played a villain before, yet he manages to pull of some of his dorky and lovable qualities that he's so good at.

What can make a children's movie go from children's movie to family film is how universal its story and themes are. "Despicable Me" gets that down right. It provides a framework that makes room for endless imagination. It has fun showing off both Gru's crazy inventions (which involve a ridiculous car and a shrink ray) and his pension for evil. While some animated films can get carried away with visual gags, the best jokes of "Despicable Me" come as a result of the imagery. At times though, you just have to look closely, or you might miss it.

Probably the highlight of the movie are the little Minions, Gru's assistants. What species they are is never stated, but they look like talking yellow Mike and Ikes. They speak a strange language and do nothing but cause problems. They seem like the kind of characters who would get their own short film before a big movie starts. Their running time was extended, with great results.

"Despicable Me" has a heart and a message to it that's beyond the typical "don't judge others" and "be nice" that you get from most children's movies. "Despicable Me" is about the value of family, and how much different life can be when you have someone to care for, and someone else who actually cares for you. This is so much more than you might get from say, "Shrek" or "Shark Tale," so why did it have to go with the typical dance sequence ending? "Despicable Me," you are better than that.

Besides that little hiccup, even if you don't have a kid, have a little heart to check this movie out. Hey, it probably has one of the more original stories this summer.