This is a recap of episode four of season three of "Homeland." The episode is "Game On."
I have no idea what's keeping "Homeland" together right now. Each story seems to constitute its own separate show. It's about time some character came in, "Lost" style, and declared that everybody needs to go back. I'm pretty sure Matthew Fox is actually looking for work.
The one common factor keeping everyone together this season is a feeling of imprisonment. Tonight's episode is called "Game On" but it feels more like a groan than a game changer. This is the episode where everyone tries to run away. Some found great success (Carrie), while others found themselves walking into yet another trap (Dana).
Showing posts with label Mandy Patinkin. Show all posts
Showing posts with label Mandy Patinkin. Show all posts
Wednesday, October 23, 2013
Monday, October 14, 2013
Analog This: Homeland- Tower (Of David) Heist
This is a recap of episode three of season three of "Homeland." The episode is "Tower Of David."
Most chatter about "Homeland" nowadays is marked by debate on whether or not the show is good anymore. Rarely have I seen a show fluctuate between great, okay, and horrible so often, and sometimes just within the span of a single episode.
"Tower Of David" is not the best episode in the short history of "Homeland," but it is definitely one of the most different hours that the show has done. This was the least politically driven episode in a while. To prove how far away it would be going from Washington politics, the episode opened with a sunny beach that might as well have been stolen "Lost" B-Roll. After a bunch of men spoke Spanish (with no subtitles to be found), a bloody and dying Nicholas Brody pops back up. America's favorite sleeper cell agent is finally back!
Most chatter about "Homeland" nowadays is marked by debate on whether or not the show is good anymore. Rarely have I seen a show fluctuate between great, okay, and horrible so often, and sometimes just within the span of a single episode.
"Tower Of David" is not the best episode in the short history of "Homeland," but it is definitely one of the most different hours that the show has done. This was the least politically driven episode in a while. To prove how far away it would be going from Washington politics, the episode opened with a sunny beach that might as well have been stolen "Lost" B-Roll. After a bunch of men spoke Spanish (with no subtitles to be found), a bloody and dying Nicholas Brody pops back up. America's favorite sleeper cell agent is finally back!
Friday, October 4, 2013
Analog This: A Helpful Guide of Whether or Not You Should Keep Watching Homeland
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I swear...no more Skyping with terrorists. |
A funny thing happened as "Homeland" was on its way to becoming TV's best drama: it decided to go completely downhill. But "Homeland" wants you to know that they're trying really hard to make a comeback. They let us know by devoting the entire "Previously on..." segment of the season three opener to what was essentially a highlight reel of the entire series.
I get it, "Homeland." There was like two or three really awesome parts of last season. But Dana and her stupid boyfriend still murdered someone (before he got blown up) and Nicholas Brody Skyped with a terrorist on a Blackberry while standing next to the vice president. So I guess you could say things weren't going too well for them.
So, should you keep watching, or not? The season three premiere showed some promise, but also some drawbacks. Here, I will present some highlights from the premiere, and its up to you to decide whether or not you should keep up with "Homeland."
Chris Brody: He's really tall now. And still has nothing valuable to add. I just want someone to give him a show where he reviews HD TVs.
Dana Brody: In retrospect, making Dana a murderer last season was pretty dumb. During the long gap in "Homeland" time, Dana attempted suicide. This is a more grounded, dark, and interesting territory for the character, and a good chance for actress Morgan Sayler to show off more of her acting potential. I just hope they don't make much out of her sending the nude selfie. Like, that her potential new boyfriend is a Senator's son and it causes another political scandal. It just seems too obvious.
Jess Brody: Sorry fans, but there was no Jess Brody nudity this time around. Just some deep and dark insight into her past and her family's history with suicide and depression. Oh great, more interesting character insight. I blame the Puritans.
Jess' Mom: Here's a new character. Already not a big fan of her. She just seems to be there to tell Jess that she's parenting all wrong. She reminds me of Claudette from "The Room." That's not a good thing.
Carrie's Mental State: Carrie is still torn up about last year's events at Langley. She blames herself, and I'm not sure if she really does or if that's a way to make her cover story more convincing. Either way, she's trying alternative medicines, but it doesn't seem to be helping so far. She's on trial for treason. I need to start the Carrie cry count, because this episode was a doozy.
Where in the World is Nicholas Brody?: Not sure. Surprisingly, he wasn't in this episode at all. Maybe he's with Saul Goodman in Nebraska. Or somebody sent him to Belize. Guys, I miss "Breaking Bad."
Better Call Saul (Berenson): It's really hard to complain about Mandy Patinkin. He's like Jewish Santa Claus. He's facing a lot more pressures now. As de facto head of Homeland Security, he has to deal with the possibility of a revoked charter, more terrorists, and the Nicholas Brody/Carrie bomb. Plus, Saul has personal issues to deal with. He's the most sane character on the show, so I really hope he doesn't fall into the vortex of insanity.
New Problems, New Possibilities: Maybe I'm alone here, but the most interesting conflicts on this show are the internal issues being dealt with at Langley. It feels more relevant given how, you know, we don't have a functioning government right now. "Homeland" has some great characters, and I think it would be even better if we got to see them evolve this year. Instead of just chasing terrorists, which we've seen before, I'd love to see some personal struggles. How does someone keep an entire government agency, and themselves, together? But it's a fine line to walk because...
...I don't want a courtroom drama: "Homeland" runs into the possibility of slipping into implausibility and simply being a show about chasing terrorists. This was a problem it faced last year, which is why it nearly slipped into complete "24" territory. However, I also don't want to see it become just a courtroom drama. Too much of old white people (because, American politics) arguing over abstract political issues could get dull. So if "Homeland" is to get back on its feet, it needs to balance internal and external threats. Oh, and bring Nicholas Brody back.
Sunday, July 21, 2013
Emmys 2013: What They Got Right
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I want a poster of this in my room. |
Louie! Louie! Louie! Louieeeeeee
Every year I want to say that it's "The Year of Louis C.K." Let's just say that this decade belongs to him. The comedian with many jobs continues to break more ground: this year he picked up multiple nominations. He wasn't just nominated for his show "Louie," which had its best season yet, but also for his hosting of "Saturday Night Live," and his new special "Oh My God." While "Oh My God" wasn't the best standup that the master has ever done (though it is still leagues above most of the other stuff out there today), Mr. C.K. earned every nomination that he got. It's nice to see that one of the funniest, most talented, and hardest working people in the business today is finally getting his due. And with Woody Allen's "Blue Jasmine" coming to theaters next weekend, could the Oscars be next?
Veep Sweep
Armando Iannucci's latest political satire got over any speed bump from season one for an incredibly smooth ride of a second season. This season, "Veep" displayed some of the sharpest writing on television as well as a brilliant performance from Julia Louis-Dreyfus and excellent work from the rest of the cast, including fellow nominees Anna Chlumsky and Tony Hale.
There are few things that I could say about "Breaking Bad" that hasn't already been said over and over again. However, Vince Gilligan's televised masterpiece deserves all the praise in the world. The first half of season five raised the dread. In a world of predictability, I can say that I have absolutely no idea how the hell this show is going to end. And I like that. "Breaking Bad" has only two more chances to win the Best Drama award. And I can confidently say that "Breaking Bad" will win the Best Drama award at least two times.
30 Rock's Swan Song
Some great shows overstay their welcome. "30 Rock" realized that season seven would be their last and went out with an absolute bang. "30 Rock" has already won for Best Comedy three times so it wouldn't be a big travesty if it lost. But like the show itself, which seemed to be saving some of its best lines (Liz Lemon answering her phone: "This is Lemon. Make lemonade.") for the final season, the Emmys crammed in as many nominations as possible. Will Forte finally got a nomination for his turn as a Jenna Maroney impersonator, while Jenna Maroney herself, Jane Krakowski, has one last chance to walk home with a statuette. I'm not begging voters to give "30 Rock" another Emmy, but would it be so much to ask for one more win? For old times sake? After all, this is the show that changed the modern sitcom as we know it.
I dare you not to tear up at this.
Mandy Patinkin
To say "Homeland" hit some rough patches this season would be an understatement. As "Friday Night Lights" also proved, involving your teenage character in a hit-and-run murder plot never ever works. Even in an off episode, it was comforting to know that Mandy Patinkin would be there. As Saul, Patinkin always provided humor, warmth, and insight at all the right moments. Not to mention, he has a great Hebrew chant for every situation. Wait a minute, Patinkin has a big, white beard, and we can always rely on him for a joyful moment. Is he Jewish Santa Claus?
Bill Hader
This was Bill Hader's last chance to get nominated for an Emmy for "Saturday Night Live."* Luckily, voters delivered. Besides being a master impressionist, Hader also killed it with his original character. His most famous, Stefon (co-written by John Mulaney, one of my favorite comedians in the world), became an institution by the end of this season through an epic wedding send-off. Hader may have laughed through many of his sketches, but he always managed to make that the highlight. I think that will lead to great success for him in the future. I can think of another "SNL" alumni who laughed through most of his sketches, and he turned out just fine: Jimmy Fallon.
*But this may not be Hader's last chance at the Emmys: he will be a full time writer for "South Park" next season.
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